Last month, to commemorate the end of Crufts, Cathrin Yarnell decided to showcase some of the V&A’s many dog-related prints, drawings and paintings. Her post, titled ‘Paw Prints‘, can be seen here and I recommend it to avid dog-lovers and canine art appreciators alike.
Personally I was delighted to see that some of the canine motifs that my thesis will cover are presented in this doggy display.
The dog mourner is readily shown with Landseer’s prominent The Old Shepherd’s Chief Mourner, while the dog as a saviour (in this case of children) is shown through the typically noble Newfoundland in a print simply titled The Newfoundland Dog.
The rising popularity and diligence of dog portraiture is represented readily in the image of Rodney by Byran Edward Duppa. Yarnell is eager to point out that this portrait of Rodney “has been executed with all of the care of a human portrait”, a concept that shall be explored in my own work.
The final print in Yarnell’s post does well to illustrate a range of canine motifs that were popular in Victorian Britain–The dog as saviour (or both man and child), the noble dog of the aristocracy, the dutiful and humble dog of the countryside, and the dog as comfort and aid to beggars, to name a few. It is nice to know that such motifs still capture people’s imagination even today.